It is a companion piece, since the view is to the immediate left of the Afternoon Light painting.
Same time of day, but because I am looking a little to the left, the sun is not casting that orange light on everything quite as much.
Think of it like this. I am standing in the center of a clock face. The sun is at the 8 and the view in the Afternoon Light painting is as if I am looking toward the 1, so it is getting pretty direct light from the orange late afternoon sun.
This view is as if I turned and looked toward the 11, so it receives a bit more of a glancing light and is not reflecting that orange sun so much.
"A View of San MIguel de Allende", 18" x 24" oil on linen
Frank Gardner © 2008
Private Collection
I wanted to stick to the same color scheme of orange, purple and green as the dominant colors, but these colors are now in different proportions. It has a different tone, but they look good hanging next to each other.
The foreground is not in shadow in this painting, so there is more of the orange up front and in the middle ground with the churches. The greens, purples and blues dominate the distance.
If you open the other painting up in a different window you can just about line them up. Line up the "Afternoon Light on San Miguel" piece just a bit lower than "A View of San MIguel de Allende".
